Articles by Philip Hodge

Ruddigore Review I – Stanford Savoyards present an afternoon of eerie fun

Ruddigore is not as well known as some of the other Gilbert and Sullivan operas – which is a shame, because it is full of catchy tunes, clever words, and a comic twist to provide a happy ending

La Traviata MetHD Review – Minimalism Carried Too Far

I was willing to grant that the director was doing a good job with his interpretation – even if I didn’t like the interpretation. But when Death opened his mouth to sing Dr. Grenvil’s words, I was totally confused

FAUST Review – Opera San Jose produces a sensitive interpretation of the classic legend

Faust may not be my favorite opera, but it’s high on the list of operas that I don’t get tired of

Manon MetHD Review – Another Winner for Anna Netrebko

Manon is an opera that grows on me. I like it and appreciate it more every time I see it

Count Ory Review – Pocket Opera and Rossini produce a comic masterpiece

People who enjoy Rossini’s Count Ory would also enjoy the Marx Brother’s A Night at the Opera

Pirates of Penzance Singalong Review – Fun: Pure unadulterated fun.

We’re counting on you for all of the chorus parts, of course. But feel free to accompany any or all of the soloists. Gender is no barrier. What’s a couple of octaves between friends?

Yanked from the Harem Review – Pocket Opera’s interpretation of Mozart’s Abduction from the Seraglio

As I sat down in seat G2 5 minutes before curtain time, I noticed something different about the stage: there was no piano!

LA TRAVIATA II – Further Thoughts after seeing 2 more (complete) Performances

Here’s the Opera Nut again with a few more thoughts after two weeks and two complete performances of La Traviata

Don Giovanni Review – An old favorite in modern dress

The Commendatore's portrait comes to life, dramatically rips the frame apart and strides forth; demons appear; Giovanni is dragged offstage to Hell - I’ve never seen a more dramatic ending to Don Giovanni

Götterdämmerung MetHD Review – Conclusion of Wagner’s epic Ring Cycle

It seemed like old home week as I settled into my comfortable seat at CinéArts @ Palo Alto Square Theatre to begin six hours of immersion in wonderful music and cosmic story-telling

LA TRAVIATA PART 1 – A Thrilling Rendition of an Old Favorite

Words fail me when I try to describe Rebecca Davis; she wasn’t acting an operatic role; she was channeling the famous Parisian courtesan, Marie Duplessis.

TRITTICO Review – Three Operas for the Price of One

My second complete Il Trittico reinforced two of my opinions. One, that Puccini’s three one-acts are even better taken as a whole, and two, that an ROH production with Conductor Antonio Pappano and Stage Director Richard Jones will be first rate.

The Enchanted Island Review – A Baroque Pastiche

I wish the author would extend “Baroque” to include early Mozart, and remind Neptune about his subject Calabanetta, a sweet-voiced young woman with a deformed body but a beautiful spirit who lives in the far reaches of his kingdom

2011_Review - and A look ahead to 2012

I reviewed sixteen “Ten Best” opera productions in 2011 – no problem. I’ll just use a hexidecimal definition of “Ten”.

Hansel & Gretel Preview – Déjà vu all over again

I had some free time last week and figured to get a head start on my review by writing part of it before seeing the opera; then after seeing it, I would revise as appropriate -- things didn’t work out that way

Hansel & Gretel Review – Bah! Humbug!

I don't enjoy being Scrooge at this time of year, but "Bah! Humbug!" are the only words to thoroughly convey my reaction to the 2007-8 Met HD Live production of Hansel and Gretel

Faust Review – A Morality Play for the Atomic Age

Marina Poplavskaya's acting and singing is superb; In Act II her Marguerite is young, pretty, vibrant, popular; less than 9 months later, she is an old woman about to give birth - friendless, exhausted, utterly miserable

Rodelinda Review – Fleming’s Handle on Handel

Fleming WAS Rodelinda. Her expressive face was showing every emotion that Rodelinda was feeling. Thanks to the close-up camera, at one point I could see a tear in her eye

Satyagraha Review – Philip Glass’ monumental tribute to Gandhi

Philip Glass, his librettist Constance DeJong, and the entire creative staff of the MetHD production have presented the essence of Gandhi’s 21 years in South Africa in a most unusual fashion – the complete opposite of verismo.

Siegfried MetHD Review – A Star is Born

The same voice box produced the powerful German singing by Siegfried on stage and the delightful Texas drawl of Jay Hunter Morris in the interviews - I could easily believe him to be a reincarnation of Wagner’s famous 17 year old hero.

Tosca ROH Review – A Five-* Production

The divine words of the choir and Scarpia’s profane words are each sung to entirely appropriate music. When the two are perfectly balanced, the resulting dissonance creates an almost unbearable musical tension.

Carmen SFO Review – America’s favorite opera

What a pair of characters - Carmen: flamboyant, sexy, strong-willed, domineering – yet potentially vulnerable; what an opportunity for a mezzo; tenor Don José: naïve country bumpkin at the start – insane murderer at the end.

LA VOIX HUMAINE Review – Opera San Jose presents an emotional block-buster

The conductor raises his arms - our pulses quicken in anticipation - an opera is about to start - but wait! - the conductor’s arms do not descend; they remain upraised, poised, ready for action. The curtain rises in utter silence

Xerxes Review – SFO’s Handle on Handel

Handel wrote the parts of Xerxes and his brother to be played by castrati who were a respected musical class in 18th century Europe but are now essentially extinct due to changing mores and natural selection

Don Giovanni MetHD Review – Second Production this Season

The advance program said that James Levine would be the conductor; the program at the theater door listed Fabio Luisi

Adriana Lecouvreur Review – an ROH production of a rarely performed opera

Cilia’s Adriana Lecouvreur sounded vaguely familiar to me, so I assumed it would be classical opera, but I knew absolutely nothing about the composer or the plot. I was looking forward to being surprised - and what a wonderful surprise it was

Don Giovanni SFO Review – First of Four Productions this Season

Despite all of his past successes and his unbounded self-confidence, Don Giovanni is totally unfulfilled during the twenty-four hours of his life presented on stage - and it’s not for lack of trying

Anna Bolena Review – Anna: Netrebko IS Bolena

For a moment Anna Netrebko did not reply. She had been sitting relaxed with a smiling face. Her body straightened and stiffened. Her smile was replaced by a firm straight mouth. She said, simply, “I remind myself that I am a Queen.”

Samson and Delilah Review – An exciting opening for West Bay Opera’s 56th Season

The air was electric when José Luis Moscovich, General Director (and Conductor) of West Bay Opera appeared on stage to welcome the audience to WBO's fifty-sixth season

Lucrezia Borgia Review – San Francisco Opera presents one of Donizetti’s less well known bel canto operas

There is little correlation between the historical Lucrezia Borgia and the title character of the opera Lucrezia Borgia - and even less between the real Lucrezia's bastard son Giovanni and opera Lucrezia’s long-lost son Gennaro